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Producers 40 and Mike Zombie intricately juxtaposed single notes from Bruno Sanfilippo and Mathias Grassow’s 2008 minimalist piano composition, “Ambessence Piano & Drones 1,” in order to create the melody. The instantly recognisable piano that underpins lead single and smash hit “Started From The Bottom” bears little resemblance to the sampled source. “Started from the Bottom” SamplesĪMBESSENCE piano & drones by Bruno Sanfilippo & Mathias Grassow Producers 40 and Jake One took elements from the heart of “Hold On, for We’re Going Home” and inserted them into “Furthest Thing,” though it seems that the title of the track may have influenced Drake’s writing process. The Corinthian Temple Cogic Choir cut their second and final album, I’ve Already Been To The Water, in 1990, and the entire record went unsampled for twenty-three years. The piano trills and gospel vocals that enter at 2:48 – immediately after the beat switch – are taken from a track with a familiar-but-unexpected title. In-studio image shared by OVO 40 during the NWTS sessions In celebration of the fifth anniversary, we’re breaking down all the samples on Drake’s landmark 2013 LP, looking at the elements that helped make Nothing Was The Same his most essential record. Drake himself would break this record again with 2015’s If You’re Reading This It’s Too Late, and earlier this year, he broke both Apple Music and Spotify’s first day streaming records with Scorpion. The album broke Spotify’s streaming record, racking up 15.6 million first week streams.
That same week, the rapper had 12 songs on the Billboard 100, including bonus track “All Me” and future singles “The Language,” “Too Much” and “Worst Behaviour.” Even “Furthest Thing,” which was never released as a single, peaked at #56. NWTS, like Thank Me Later before it, debuted at #1 on the Billboard 100. Though Drake entered 2013 as a pop culture fixture, he left it with a new type of ubiquity. The commercial dominance of the song was such that it functions as a sort of timestamp, scoring summer 2013 and marking a brief period of popular culture. The self-professed “wedding song” produced by Noah ‘40’ Shebib found the pair channelling their “Quincy Jones/Michael Jackson production” alongside recent OVO signees Majid Jordan. It was followed by “Hold On, We’re Going Home,” a seemingly omnipresent slice of synth-laden R&B. Drake – Started From The Bottom GIF from Drake GIFs